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Overview
Claude Monet was so taken with Barbier's works that he sponsored an exhibition of his works with a preface by Monet's biographer and friend, Gustave Geffroy, who urged him to "build of mist and light, a world of poetry"
André Barbier (1883-1970) was born in Arras, France into a family of lawyers. At the age of twenty, Barbier settled in Paris at the Quai aux Fleurs, and in the same year, 1903, he began exhibiting landscapes and still lifes at the Paris Salons. Inspired by his Impressionist forbears, Gustave Courbet, Claude Monet and Camille Corot, Barbier delighted in depicting verdant forests and luminous seascapes at different times of the day and in a variety of atmospheric conditions. Like many of his contemporaries in early nineteenth-century Paris, Barbier travelled extensively in pursuit of subjects for his landscapes. Barbier chose to capture scenes of the Normandy coast and the French Riviera and also travelled further afield to Italy.
Although a follower of the Impressionists, Barbier’s style is wholeheartedly distinct. Barbier built up compositions using delicate layers of paint in a post-impressionist manner, often using a flickering outline to the forms within the landscape and imbuing his compositions with a delicate haze of light. Due to his wealth, much of Barbier's work has remained with his family, but today his paintings are collected extensively in America and Europe and have recently been bought by members of the Monaco and Belgian Royal families.
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Works
André Barbier French, 1883-1970
Falaise d'ÉtretatOil on Canvas65 x 81 cms / 25½ x 32 inchesDescription
A sheer chalk cliff rises from the left edge of the canvas, its stratified face cut by a dark recess at the base and surmounted by a narrow strip of grass. Below, the shoreline is strewn with seaweed and stones, described in dense passages of red, ochre and violet that lead towards a shallow inlet of blue-green water. The sea extends beneath a pale sky, the horizon set high so that rock and foreshore dominate the composition. The viewpoint is low and close to the beach, heightening the sense of vertical ascent in the cliff face. Paint is applied in layered, directional strokes, particularly across the rock strata and foreground, where colour is built up to suggest the varied surface of stone and tidal debris. Painted during the artist’s campaigns along the Normandy coast, Falaise d’Étretat belongs to a sustained study of Étretat’s geological formations and their shifting coastal conditions.
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