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Overview
Claude Monet was so taken with Barbier's works that he sponsored an exhibition of his works with a preface by Monet's biographer and friend, Gustave Geffroy, who urged him to "build of mist and light, a world of poetry"
André Barbier (1883-1970) was born in Arras, France into a family of lawyers. At the age of twenty, Barbier settled in Paris at the Quai aux Fleurs, and in the same year, 1903, he began exhibiting landscapes and still lifes at the Paris Salons. Inspired by his Impressionist forbears, Gustave Courbet, Claude Monet and Camille Corot, Barbier delighted in depicting verdant forests and luminous seascapes at different times of the day and in a variety of atmospheric conditions. Like many of his contemporaries in early nineteenth-century Paris, Barbier travelled extensively in pursuit of subjects for his landscapes. Barbier chose to capture scenes of the Normandy coast and the French Riviera and also travelled further afield to Italy.
Although a follower of the Impressionists, Barbier’s style is wholeheartedly distinct. Barbier built up compositions using delicate layers of paint in a post-impressionist manner, often using a flickering outline to the forms within the landscape and imbuing his compositions with a delicate haze of light. Due to his wealth, much of Barbier's work has remained with his family, but today his paintings are collected extensively in America and Europe and have recently been bought by members of the Monaco and Belgian Royal families.
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Works
André Barbier French, 1883-1970
Falaise de PourvilleOil on Paper on Canvas46 x 61 cms / 18 x 24 inchesSigned 'André Barbier' (lower left)Description
A sweep of pale sand curves across the foreground, marked by elongated shadows and low, broken brushstrokes that describe the uneven surface of the beach. To the left, a vertical chalk face rises abruptly, its edge cropped by the picture plane, while further along the coast the cliffs recede in softened planes of blue and green. The sea occupies the right half of the composition, rendered in light turquoise and milky tones beneath a high, luminous sky. The viewpoint is set at ground level, looking obliquely along the shoreline so that cliff, beach and water unfold in successive bands. Oil is applied in thin layers with visible, directional strokes, particularly across the cliff face where subtle shifts in colour articulate the rock. Painted during the artist’s campaigns in Normandy, Falaise de Pourville forms part of a sustained engagement with the coastal sites around Dieppe and Pourville in the late nineteenth century.
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