The Lure of the Ocean
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Übersicht
Quickly able to build a studio, Derek G.M. Gardner was able to devote his days to paintings and his evenings to immersing himself in Naval History.
Lure of the Ocean builds upon Gladwell & Company’s long-standing relationship with the maritime world, shaped over more than two and a half centuries in the City of London. During this period, the gallery operated at the centre of international trade and shipping, working closely with collectors whose understanding of the sea was grounded in lived experience. Paintings of vessels, harbours and coastal routes were valued for their accuracy, structure and clarity of observation, forming a tradition that continues to inform the present selection.
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Derek G.M. Gardner; The Battle of Trafalgar with the British and French Fleets in Close Action, 1961 -
Derek G.M. Gardner’s association with Gladwell & Company began prior to his return from Kenya, when Herbert Fuller recognised the strength of his work and established what would become a lasting relationship. Following his relocation to Dorset, Gardner undertook the restoration of a coastal cottage, a setting that reconnected him directly with the maritime subjects that would come to define his practice. From this point, his focus on the sea and the vessels that traverse it developed with renewed clarity.
Gardner’s paintings are distinguished by their close attention to historical accuracy, particularly in the construction and rigging of ships, alongside a considered treatment of the conditions in which they operate. Weather and water are integral components within his compositions, shaping both the structure and atmosphere of each scene. As his work developed, it found a receptive audience among the gallery’s collectors, many of whom valued both its precision and its depth of research.
With the establishment of his studio, Gardner was able to sustain a disciplined working rhythm, dedicating his days to painting while continuing his study of naval history in the evenings. This dual focus informed a body of work grounded equally in observation and scholarship, reinforcing his position within the tradition of British marine painting.
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In contrast, the work of Ronny Moortgat shifts emphasis towards the surface of the sea and the effects of light across water. His compositions frequently reduce the presence of vessels or coastal detail, allowing atmosphere to take precedence. Broad passages of colour and controlled tonal variation describe changing weather conditions and the movement of tide, with horizons often simplified to emphasise distance. This approach extends the marine subject into a study of light, space and the interaction between sea and sky, offering a contemporary continuation of the tradition.
Decades after they were first painted, Shepherd’s images remain immediately recognisable. His animals possess a presence that reflects both careful study and genuine affection, while the landscapes in which they stand evoke the vastness and drama of the African continent. Together they form a body of work that continues to resonate with audiences today - paintings that celebrate the dignity of wildlife and remind us of the importance of protecting the world they inhabit.
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The Studio of Ronny Moortgat -

