Walking Home depicts two loosely articulated figures set within a broad, flattened landscape beneath a pale moon, the ground treated as a continuous expanse of greys, muted blues and softened earth tones. The paint surface is densely worked, with scraped and re-layered passages that blur edges and allow figures and setting to merge. Spatial markers are reduced to essentials: a low horizon, faint linear suggestions of fencing or distant structures and reflective areas across the ground that imply dampness or pooled water. The absence of a defined location is central to the strength of Walking Home. By withholding specific geographic detail, Wells allows the scene to operate as a shared human experience rather than a fixed place. The ambiguity invites personal association, encouraging the viewer to project their own memories of movement.