William Malherbe was born in Senlis in 1884, a historic cathedral town to the north of Paris. Demonstrating an early aptitude for painting, he exhibited in Paris by the age of eighteen. In his early twenties, he turned briefly towards architectural studies at the École des Arts Décoratifs, though this proved short-lived, and he soon returned to painting as his principal focus. In the years that followed, Malherbe engaged with a range of modernist tendencies, including Cubism, Fauvism and Post-Impressionism. From these influences, he developed a distinct painterly language characterised by heightened colour and structured composition. His work combines the observational basis of Impressionism with a more pronounced chromatic intensity, placing him within a broader current of early twentieth-century French painting. The critic Gustave Kahn identified him as among the more compelling independent artists of his generation.

By the 1930s, Malherbe’s reputation had become firmly established, supported by representation at Galerie Durand-Ruel, a leading force in the promotion of modern French art. His work was exhibited widely across France, with regular participation in the Salon d’Automne. In 1939, he travelled to the United States, where he exhibited in both New York and Washington. Malherbe returned to France in 1948, settling into a quieter period of work. He died in 1955. His paintings are held in a number of public and private collections, including the Musée d’Art Moderne de Paris, and continue to reflect a sustained engagement with colour, landscape and the evolution of modern painting in France.