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overview
Walker's rare ability to give to each of the animals he depicts their unique characteristics and personas, while dressing them up in old cast-off human garments never robs them of their intrinsic "animalness".
Jonathan Walker was born in 1966 in Staffordshire and grew up in the Moorlands, where early experiences of the landscape shaped his enduring interest in the natural world. Much of his childhood was spent exploring the countryside with his father, himself an artist, and this close observation of wildlife continues to inform his practice. As a teenager, Walker studied Philosophy, Theology and Fine Art before training as an Occupational Therapist, working for many years with individuals experiencing severe mental health challenges. In 1991 he moved to Devon, where he continues to live and work. The landscapes of Dartmoor and the surrounding countryside provide the setting for much of his work, with subjects drawn from direct observation of animals such as badgers, foxes and small mammals encountered near his home. Working primarily in watercolour, Walker combines careful draughtsmanship with a restrained, earth-based palette of siennas, ochres and muted greens.
His paintings sit within the tradition of British wildlife illustration, yet are distinguished by their emphasis on character and individuality. Each animal is observed closely and presented with a degree of personality, grounded in the physical realities of its environment. Surface, texture and setting are treated with equal attention, resulting in compositions that reflect both the structure of the animal and the conditions of the landscape it inhabits.
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Werke
Jonathan Walker
The Walled GardenWatercolour28 x 17 cms / 11 x 6¾ inchesSigned 'Jonathan Walker' (lower right)Description
The Walled Garden draws the viewer deep into Walker's surreal and much-loved world of anthropomorphic countryside life. Set within the quiet, working corner of a traditional English kitchen garden, the painting captures one of Walker's most evocative subjects: the lifelong head gardener, paused mid-labour and leaning gently on the handle of his upright spade. Shaggy and bewhiskered, the unmistakable badger is dressed in the timeless uniform of the seasoned country gardener, wearing a battered black bowler hat, crumpled waistcoat, loose blue work shirt and well-worn grey trousers tucked over heavy brown boots. A long pheasant feather tucked jauntily into his hatband adds a touch of rustic vanity, while a bright-eyed robin perches atop the bowler as though appointed personal foreman for the morning's work.
The setting is instantly recognisable as a traditional English walled garden, its warm red-brick boundary stretching across the background and softened by the bare branches of a young fruit tree reaching up into a pale spring sky. A small arched doorway in the wall hints at further hidden corners beyond, offering that wonderfully British promise of a secret garden waiting to be discovered. Around the gardener's feet the freshly dug earth is rich with purples, umbers and mossy greens, scattered with stones, leaves and the gentle suggestion of newly turned beds. To one side, a cheeky mouse in a red spotted neckerchief peers out from the long grass, one of Walker's recurring supporting cast of woodland characters, while another small creature appears tucked near the spade at the lower edge of the composition, lending the scene that signature touch of mischievous narrative life that collectors of Walker's work have come to adore.
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