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Overview
Gladwell Patterson have long championed David’s artistic and charitable work, across the three generations of the Fuller family. Together with the David Shepherd Wildlife Foundation, the gallery held the first retrospective exhibition of David’s work since his death in January 2019.
David Shepherd stands as one of the most influential wildlife painters of the past century, an artist whose deep affinity for the natural world shaped a career of remarkable breadth and significance. His paintings, at once commanding and tender, reflect a lifelong bond with the animals of Africa, a connection forged in Kenya in 1960, where a commission for the RAF set him on an artistic path that would define his life’s work. It was there, confronted by the beauty of the wild and the brutality of its threats, that David’s vocation as both artist and conservationist took root.
The power of his paintings lies not only in their technical mastery: the confident sweep of his brush, careful orchestration of tone and balance between photorealism and impressionist breadth. Elephants emerge with monumental grace, tigers with a quiet, unstoppable presence; even the vast African landscapes serve not as backdrop but as a stage upon which each animal’s dignity is affirmed. What resonates most is the empathy that animates every canvas, a quality that reflects David’s unwavering belief in the value of the wildlife he devoted his career to protecting.
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Werke
David Shepherd British, 1931-2017
LionOil on Board20 x 25 cms / 7¾ x 9¾ inchesSigned 'David Shepherd' (lower right)
Sold as a set of five, alongside 'Cheetah', 'Buffalo', 'Elephant' and 'Rhino'£62,000 (Set of Five)Weitere Abbildungen
Description
A male lion is depicted seated within tall grass, facing forward with its mane merging into surrounding vegetation. The background consists of loosely articulated foliage and a pale sky, offering limited spatial recession. Shepherd employs oil paint in layered applications, using variations of ochre, brown and muted green to integrate the animal into its environment. The lion’s facial features are defined through tonal modelling rather than line, with texture playing a significant role across the surface. Painted during Shepherd’s mature period, the work relates to his long engagement with African wildlife subjects following repeated visits to Kenya and neighbouring regions. Lions appear frequently in Shepherd’s practice, reflecting direct encounters during field trips undertaken alongside conservation initiatives from the 1960s onwards.
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