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Overview
Gladwell Patterson have long championed David’s artistic and charitable work, across the three generations of the Fuller family. Together with the David Shepherd Wildlife Foundation, the gallery held the first retrospective exhibition of David’s work since his death in January 2019.
David Shepherd stands as one of the most influential wildlife painters of the past century, an artist whose deep affinity for the natural world shaped a career of remarkable breadth and significance. His paintings, at once commanding and tender, reflect a lifelong bond with the animals of Africa, a connection forged in Kenya in 1960, where a commission for the RAF set him on an artistic path that would define his life’s work. It was there, confronted by the beauty of the wild and the brutality of its threats, that David’s vocation as both artist and conservationist took root.
The power of his paintings lies not only in their technical mastery: the confident sweep of his brush, careful orchestration of tone and balance between photorealism and impressionist breadth. Elephants emerge with monumental grace, tigers with a quiet, unstoppable presence; even the vast African landscapes serve not as backdrop but as a stage upon which each animal’s dignity is affirmed. What resonates most is the empathy that animates every canvas, a quality that reflects David’s unwavering belief in the value of the wildlife he devoted his career to protecting.
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Works
David Shepherd British, 1931-2017
Indian Rhino and Water BuffaloOil on Canvas51 x 86 cms / 20 x 34 inchesSigned 'David Shepherd' (lower right)Further images
Description
"Rhinos aren't so much thick-skinned as armour-plated. They seem to look permanently sad. Many people find these prehistoric-looking creatures ugly, but I love them" - David Shepherd. This mesmerising study beautifully captures the essence of two colossal creatures: the Buffalo and the Indian Rhino. Working in his study format familiar to his preliminary sketches, here Shepherd has developed this composition onto canvas, making for a work which displays the multiple facets of each of his buffalo and rhino subjects. At the same time, the viewer is offered a rare insight into the artist at work by eroding the boundaries between preparation and finished article.
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