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overview
Walker's rare ability to give to each of the animals he depicts their unique characteristics and personas, while dressing them up in old cast-off human garments never robs them of their intrinsic "animalness".
Jonathan Walker was born in 1966 in Staffordshire and grew up in the Moorlands, where early experiences of the landscape shaped his enduring interest in the natural world. Much of his childhood was spent exploring the countryside with his father, himself an artist, and this close observation of wildlife continues to inform his practice. As a teenager, Walker studied Philosophy, Theology and Fine Art before training as an Occupational Therapist, working for many years with individuals experiencing severe mental health challenges. In 1991 he moved to Devon, where he continues to live and work. The landscapes of Dartmoor and the surrounding countryside provide the setting for much of his work, with subjects drawn from direct observation of animals such as badgers, foxes and small mammals encountered near his home. Working primarily in watercolour, Walker combines careful draughtsmanship with a restrained, earth-based palette of siennas, ochres and muted greens.
His paintings sit within the tradition of British wildlife illustration, yet are distinguished by their emphasis on character and individuality. Each animal is observed closely and presented with a degree of personality, grounded in the physical realities of its environment. Surface, texture and setting are treated with equal attention, resulting in compositions that reflect both the structure of the animal and the conditions of the landscape it inhabits.
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Works
Jonathan Walker
The Country GentWatercolour35 x 16 cms / 13¾ x 6¼ inchesSigned 'Jonathan Walker' (lower right)
Sold as a triptych alongside 'The Connoisseur' and 'Best Threads'Description
The Country Gent is an impeccably observed portrait of rural sophistication, eccentricity and understated absurdity. Standing with confidence, this elegantly dressed hare appears every inch the refined country gentleman - impeccably tailored, leisurely composed and entirely at ease within his own peculiar world. Yet Walker introduces a perfectly comic twist: rather than walking a hound or hunting dog, the hare casually leads a tiny mouse on a length of string, elevating the scene from charming portraiture into gentle satire.
Dressed in a dark frock coat, waistcoat, breeches, polished shoes and towering top hat, the figure embodies the rituals and style of the landed gentry. Hands tucked confidently into pockets and posture relaxed, he carries himself with aristocratic assurance, as though strolling through an estate garden or village promenade. The tiny mouse companion, trotting obediently at his feet, becomes the painting’s wonderfully surreal focal point.
Walker’s genius lies in balancing humour with elegance. Despite the absurdity of the scenario, the hare never becomes caricature. His alert stance, expressive whiskers and slightly asymmetrical ears preserve the essential wildness beneath the finely tailored clothing, creating the charming tension that defines so much of Walker’s work.
Sold as a triptych, alongside The Conoisseaur and Best Threads.
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