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overview
Walker's rare ability to give to each of the animals he depicts their unique characteristics and personas, while dressing them up in old cast-off human garments never robs them of their intrinsic "animalness".
Jonathan Walker was born in 1966 in Staffordshire and grew up in the Moorlands, where early experiences of the landscape shaped his enduring interest in the natural world. Much of his childhood was spent exploring the countryside with his father, himself an artist, and this close observation of wildlife continues to inform his practice. As a teenager, Walker studied Philosophy, Theology and Fine Art before training as an Occupational Therapist, working for many years with individuals experiencing severe mental health challenges. In 1991 he moved to Devon, where he continues to live and work. The landscapes of Dartmoor and the surrounding countryside provide the setting for much of his work, with subjects drawn from direct observation of animals such as badgers, foxes and small mammals encountered near his home. Working primarily in watercolour, Walker combines careful draughtsmanship with a restrained, earth-based palette of siennas, ochres and muted greens.
His paintings sit within the tradition of British wildlife illustration, yet are distinguished by their emphasis on character and individuality. Each animal is observed closely and presented with a degree of personality, grounded in the physical realities of its environment. Surface, texture and setting are treated with equal attention, resulting in compositions that reflect both the structure of the animal and the conditions of the landscape it inhabits.
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Works
Jonathan Walker
The Barrow LoadWatercolour20 x 14 cms / 7¾ x 5½ inchesSigned 'Jonathan Walker' (lower right)Description
The Barrow Load offers a charming glimpse into the working life of one of his most endearing countryside characters, capturing a smartly dressed mouse pushing a well-laden wheelbarrow along a tunnel of warm, earthen tones, his determined gaze fixed straight ahead as he goes about his important business. There is a delightful play of scale at work in Walker's title here. The Barrow Load sounds straightforward enough, the familiar term used by any gardener or smallholder for a single trip's worth of cargo, yet in the hands of a mouse it becomes something altogether more heroic, the great undertaking of a small creature shouldering a task that looks several times his own size. Walker captures the gentle comedy of the situation without ever undermining the mouse's evident sense of purpose.
The mouse is dressed in the manner of a thoroughly respectable working countryman, wearing a soft blue jacket over a yellow waistcoat patterned with fine vertical stripes, finished with a red and white spotted neckerchief tied jauntily at the throat. His large rounded ears are alert and forward-facing, his whiskers fanning out around a delicately painted face, and his long pink tail curls behind him as he leans into the handles of the barrow with the practised stance of one who has made this journey many times before. The wooden wheelbarrow itself is painted in soft greens and warm umbers, piled high with a generous load of soft white blossom or gathered cotton, the delicate whites and pale blues of the heaped material contrasting beautifully with the deep earthy tones that surround the figure. The setting suggests a passageway or tunnel of some kind, perhaps the curved interior of a burrow or an old brick archway, framed in rich russets, ochres and burnt umbers with hints of cool blue catching the light overhead, lending the scene a wonderfully atmospheric depth.
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