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Overview
For Willem, painting remained central throughout his life. From 1963 until his death in 2016, he worked in his studio off Venustraat in Antwerp, producing a sustained body of work from a single location. Over more than five decades, he completed approximately 2,500 paintings; a monumental achievement for one man.
Willem Leo Jan Dolphyn was born in Antwerp, the son of the painter Victor Dolphyn, and demonstrated an early aptitude for drawing from childhood. His formative years were shaped both by his father’s example and by extensive travel undertaken as a teenager, when he journeyed through the Mediterranean and Middle East. These experiences broadened his visual and cultural awareness before he enrolled at the Antwerp Academy, later becoming, at seventeen, one of the youngest students admitted to the National Higher Institute for Fine Arts.
These early encounters with Eastern culture developed into a sustained intellectual and visual interest, evident in both his collecting and the carefully constructed environment of his studio. Alongside his painting practice, Dolphyn taught in Mol, undertook illustration work, and briefly ran a pub, maintaining a varied professional life prior to his artistic breakthrough. This came in 1968 with a sold-out exhibition at the Gebo Gallery, which secured his reputation and enabled him to devote himself fully to painting.
From the 1980s onwards, he exhibited regularly in London with W.H. Patterson, establishing a strong international following and a long-standing relationship with British collectors. Working from his Antwerp studio for over five decades, Dolphyn produced approximately 2,500 paintings, predominantly still lifes informed by his extensive collection of historic objects, textiles, ceramics, and artefacts gathered over a lifetime.
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Works
Willem Dolphyn Belgian, 1935-2016
Golden FigsOil on Panel60 x 50 cms / 24 x 20 inchesSigned 'W Dolphyn' (lower right)Description
Willem Dolphyn was a devoted collector of ceramics, glassware and small domestic curiosities, assembling an extensive personal archive of objects that recur across his paintings. These items were not chosen purely for display but for their associative and imaginative potential. Dolphyn often described his compositions as arriving in dreams, later formed in the studio. Golden Figs centres on an ornate Venetian-style flute whose stem is formed by delicate glass scrolls resembling angelic wings. Light passes cleanly through the transparent glass, giving the object an almost weightless presence, heightened by its contrast with the richly decorated gilt-mounted bowl and the dark, velvety skins of the figs.
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