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Overview
For Willem, painting remained central throughout his life. From 1963 until his death in 2016, he worked in his studio off Venustraat in Antwerp, producing a sustained body of work from a single location. Over more than five decades, he completed approximately 2,500 paintings; a monumental achievement for one man.
Willem Leo Jan Dolphyn was born in Antwerp, the son of the painter Victor Dolphyn, and demonstrated an early aptitude for drawing from childhood. His formative years were shaped both by his father’s example and by extensive travel undertaken as a teenager, when he journeyed through the Mediterranean and Middle East. These experiences broadened his visual and cultural awareness before he enrolled at the Antwerp Academy, later becoming, at seventeen, one of the youngest students admitted to the National Higher Institute for Fine Arts.
These early encounters with Eastern culture developed into a sustained intellectual and visual interest, evident in both his collecting and the carefully constructed environment of his studio. Alongside his painting practice, Dolphyn taught in Mol, undertook illustration work, and briefly ran a pub, maintaining a varied professional life prior to his artistic breakthrough. This came in 1968 with a sold-out exhibition at the Gebo Gallery, which secured his reputation and enabled him to devote himself fully to painting.
From the 1980s onwards, he exhibited regularly in London with W.H. Patterson, establishing a strong international following and a long-standing relationship with British collectors. Working from his Antwerp studio for over five decades, Dolphyn produced approximately 2,500 paintings, predominantly still lifes informed by his extensive collection of historic objects, textiles, ceramics, and artefacts gathered over a lifetime.
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Works
Willem Dolphyn Belgian, 1935-2016
Grapes and MandarinsOil on Panel70 x 60 cms / 27½ x 23½ inchesSigned 'W Dolphyn' (lower left)Description
Born in Antwerp on 17 May 1935, Willem Leo Jan Dolphyn was the only son of Victor Dolphyn and Anna de Ridder. In 1941 his father, Victor, began teaching at the Academy in Antwerp, and with his father already an established and talented artist, Willem clearly had painting in his blood. He began drawing at the age of 4 with a picture of a group of swans inspired after a visit to the Antwerp Zoo. It was at the age of 12 that through his grandfather’s tales, he began his interest in Eastern culture, and when he was 15, he signed up as an ordinary seaman to give himself the opportunity to travel and explore for himself. He visited countries including Turkey, Greece, Lebanon, Egypt and Libya and it wasn’t long before he was to travel to the Far East to see for himself where these tales came from. It is a passion that has never left him and has grown stronger and stronger over the years. Later that year, in 1950 he joined the Antwerp Academy and at 17 became the youngest pupil to be admitted to the National Higher Institute for Fine Arts where he excelled and honed his skills.
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