A Garden the Ton Would Approve Of

The garden is arranged as a sequence of three distinct spaces that reflect stages in Penelope’s personal transformation. Visitors first pass through a circular moongate that frames the entrance, functioning almost as a symbolic threshold into the story that unfolds beyond. From here the path leads to a more secluded sunken seating area, enclosed by planting chosen to suggest privacy and quiet reflection. Subtle horticultural references echo themes within the series: the name sub rosa—traditionally associated with secrecy—resonates with the garden’s atmosphere of discretion and enclosure, while carefully clipped spiral forms introduce an element of Regency formality alongside softer, more expressive planting. The final area is centred on a hand-carved wall fountain engraved with a phrase that marks the character’s personal evolution. Throughout the design, the structure of the garden reflects the broader theme of growth and transformation.

Sustainability forms an important element of the design. Dry stone walling has been used extensively, reducing the need for cement and mortar while also creating natural habitats for mosses, lichens, ferns and small invertebrates. Many structural elements, including the water feature, stone plinth, boulders and sections of the sunken wall, have been constructed from reclaimed or salvaged materials. Where concrete is required, lower-impact alternatives such as eco-crete and cem-free cement have been specified for footings and structural support.

The world depicted in Bridgerton is set between 1813 and 1827, during the Regency period. By this time Gladwell & Patterson was already an established presence in London, having been founded in the mid-eighteenth century. During the early nineteenth century the gallery was under the ownership of Henry Graves, who secured Royal Warrants and supplied works of art to members of the Royal Family and distinguished patrons of the age.

When the fictional families of the Bridgerton world were attending London’s social season, Gladwell & Patterson had already been trading for several decades. One might imagine that families such as the Bridgertons, Featheringtons or Cowpers could easily have visited the gallery in search of paintings for their townhouses and country estates.

Today the gallery continues this long tradition of presenting fine art in London and beyond. We look forward to welcoming visitors to Chelsea Flower Show 2024, where the gardens, much like the paintings we exhibit, celebrate design, craftsmanship and enduring British tradition.