The Artist's Collection reads almost as an inventory of Willem Dolphyn’s visual world. Glassware, ceramics, metalwork and humble domestic objects are brought together on a single blue-draped surface, each rendered with the same measured attention. Scattered among these objects are small glass marbles, their polished colour catching the light. Such forms recur in the work of Dolphyn’s son, Walter Dolphyn, suggesting a shared visual language shaped by the same household of collected things. Rather than symbol or allegory, the painting offers a distilled portrait of Dolphyn’s practice itself: observation rooted in possession, memory and touch, where objects are valued not for rarity, but for the histories they carry.