A faint, horizontal seam divides the canvas into sky and sea, though the boundary remains indistinct. The upper field is rendered in blended gradients of pale green and grey, while the lower section incorporates muted browns, soft blues and touches of warm coral. Paint is applied in layered, irregular sheets, with edges lifted and folded by the knife, creating subtle relief across the surface. Thin veils of colour unify the composition, allowing underlying tones to emerge through the upper layers.

Here, the artist reduces the maritime subject to its structural essentials: horizon, light and shifting tonal mass. The emphasis lies on surface construction and chromatic modulation, continuing his abstract interpretation of coastal space.