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Overview
"I now paint almost exclusively in mixed media, combining collage, acrylics and pastel. I enjoy the way textures, shapes, colour and 'happy accidents' steer the direction of my paintings" - Mike Bernard RI.
Mike Bernard RI is a contemporary British artist celebrated for his vibrant, textured mixed-media paintings of coastal landscapes, harbours, and urban street scenes. Born in Kent in 1957, he trained at the West Surrey College of Art & Design (BA Hons, Fine Art, 1978) before completing his postgraduate studies at the prestigious Royal Academy Schools in London - one of the most selective art schools in the world. In 1997, he was elected a full member of the Royal Institute of Painters in Watercolour, the honour that gives his name the initials RI. Mike moved to Devon in 2008, where the extraordinary quality of coastal light continues to inspire his practice. His subjects - harbours, sailing clubs, market scenes at home and abroad - are not documentary records but expressive interpretations: mood, movement, and atmosphere distilled through paint and paper. His distinctive technique begins on the studio floor. Working from on-location sketches, Mike layers sheets of newspaper, tissue, leaflets, and magazine pages onto board or canvas, adhering them with acrylic medium to build an abstract collage structure. When dry, bold washes of acrylic ink are applied in sweeping, unpredictable strokes, the "happy accidents" that give his surfaces their characteristic energy. From this controlled chaos, the subject gradually emerges through gestural drawing and richly saturated colour, arriving at a finished state that balances recognisable imagery with a semi-abstract, impressionistic feel. Mike's influences range from the British Modernists of the St Ives School - Ben Nicholson and Alfred Wallis among them - to the Post-Impressionist boldness of Henri Matisse and Raoul Dufy. He has exhibited widely across London and the UK provinces, participated in international art fairs in New York, Hong Kong, and Singapore, and his work has been included in the Royal Academy Summer Exhibition. He is the author of two published books on painting technique, including Collage, Colour and Texture in Painting (co-authored with Robin Capon, 2010, Batsford), and has been featured in The Artist, International Artist, and Leisure Painter magazines.
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Works for sale
Mike Bernard
LympstoneMixed Media36 x 46 cms / 14¼ x 18 inchesSigned 'M Bernard' (lower right)Weitere Abbildungen
Description
Lympstone looks across the foreshore of the Devon village towards its waterfront, with the tidal River Exe filling the foreground and a band of exposed sand and mud along the lower edge. A group of sailing dinghies with white sails, marked with racing numbers, moves across the estuary in front of a low quay wall, where several small figures stand at the water's edge. Behind them, a terrace of houses in cream, ochre and terracotta runs along the shore, and the clock tower known as Peter's Tower rises above the rooftops, its spire and clock face set against a broad blue sky. Dark foliage sits behind the buildings, and the shallow water carries reflections of the quay and the boats across the lower half of the composition.
The work is built up in Mike Bernard's mixed media technique, combining collage and acrylic. Fragments of printed paper and newsprint are worked into the buildings, sails and water, with sections of text left legible across the surface. Acrylic is laid over the collage in blues and turquoise for the sky and estuary, set against the warm cream and pink tones of the architecture. Detailed passages in the houses and the tower are drawn out over a semi-abstract structure, and the texture of the collaged paper is carried through into the finished surface.
Lympstone sits on the east bank of the Exe estuary in Devon, a village with a long sailing tradition whose riverside houses back directly onto the foreshore. Peter's Tower, the clock tower at the centre of the composition, was built in 1885 by W.H. Peters as a memorial to his wife Mary Jane, and remains the village's principal landmark.
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