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Overview
Renée Carpentier Wintz is recognised for her impressionistic depictions of Brittany's coastal landscapes and harbour scenes, characterised by strong composition and an attentive study of light and atmosphere.
Renée Carpentier Wintz was born in Paris in 1913 and developed a reputation for her impressionistic landscapes and harbour scenes inspired by the coastal regions of Brittany, where shifting light, atmosphere, and maritime life became central themes in her work. She trained under the respected painter Lucien Simon at the École Nationale des Beaux-Arts in Paris, gaining a solid academic foundation that informed her confident handling of colour and composition throughout her career. She became a member of the Société des Artistes Français in 1934 and went on to exhibit regularly at important Parisian salons, including the Salon d'Automne and the Salon de la Marine, venues that played a significant role in establishing her professional standing within the French art world. In recognition of her artistic accomplishment, she was awarded the Prix Corot in 1952, a notable distinction that reflected both her technical ability and her contribution to the tradition of French landscape painting.
Renée was married to the painter Raymond Wintz, widely admired as a 'painter of light' and regarded as one of the foremost French artists working in maritime and coastal subjects during the mid-twentieth century. While his reputation was firmly established among critics and collectors, Carpentier Wintz maintained her own distinct artistic voice, and her paintings are today held in private and public collections throughout France and across Europe.
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Works for sale
Renée Carpentier Wintz French, 1913-2003
Barques sur Crique BretonneOil on Canvas54 x 68 cms / 21¼ x 26¾ inchesSigned 'Carpentier R' (lower right)Description
Some coastlines a painter has to earn, and the Breton shore, with its low granite cottages and its long silver light, was one Renée Carpentier Wintz returned to for much of her life. Barques sur Crique Bretonne looks across a tidal inlet at low water, where fishing boats and a small motor launch lie grounded and afloat on the falling tide, their hulls doubled in the still creek below. Behind them a village gathers along the far shore, whitewashed houses with slate and ochre roofs drawn up around a church spire, all set against a soft grey Breton sky. The paint is handled in broad, loaded strokes, the whites of the boats and gable ends built up thickly against the cooler blues and greys of the water, with the foreshore worked in warm sand and violet along the near bank.
Renée Carpentier Wintz was a French painter who exhibited in Paris in the middle decades of the twentieth century and drew many of her subjects from the coast of Brittany, its harbours, villages and working boats. This inlet belongs to that world of small Breton ports, where the rhythm of the day was set by the tide and the fishing fleet, and where she found the quiet, unhurried scenes that suited her.
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