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Overview
"I am always moved by the patterns created on the surface of the snowy fields when the sun shines low behind a tree, somehow then the tree becomes part of the landscape in another way"
Martin Taylor was born in 1954 and is based in Northamptonshire. He studied at the Ealing School of Art, Wimbledon School of Art and Goldsmith’s College. Martin’s work reflects his love of nature, played out in exquisitely detailed studies of the countryside surrounding his studio, a converted stable on a farm. Every season brings fresh inspiration, and to achieve the precision and focus so characteristic of his work Martin paints en plein air, returning to the same position for weeks at a time even in deepest winter. The combination of intricate detail and careful composition in his work celebrates nature on every scale, from the twigs on the forest floor to the clouds skimming the vast skies.
Martin's passion for the English countryside is legendary. He immerses himself in the fields, woods and hedgerows around his studio in Northamptonshire. In this way he can see every detail and reflects in his paintings how the natural world, the seasons and weather effect and alter our countryside. Working en plein air, he often uses the back of his Land Rover to provide his only shelter; he would have it no other way. His physical experience in the great outdoors, the wind, rain, mud and frost, are transferred with his brushstrokes onto each canvas and create supremely detailed and masterful landscapes.
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Works for sale
Martin Taylor
Where the Light LeadsOil on Canvas40 x 30 cms / 15¾ x 11¾ inchesSigned 'Martin Taylor' (lower left)Description
Where the Light Leads depicts a narrow woodland path winding through a carpet of bluebells beneath a canopy of young spring foliage. On either side, dense swathes of bluebells extend across the forest floor, their cool violet-blue tones contrasting with the fresh greens of newly opened leaves and the pale light filtering through the trees. Martin Taylor reflects the seasonal transformation of British woodland during late spring, when bluebells bloom in large natural colonies beneath deciduous trees before the canopy fully closes. The scene is constructed with careful attention to the textures of bark, leaf and undergrowth. Light moving through the branches illuminates the flowers and ground cover in broken patches, guiding the eye deeper into the woodland setting.
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