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Overview
Gladwell Patterson have long championed David’s artistic and charitable work, across the three generations of the Fuller family. Together with the David Shepherd Wildlife Foundation, the gallery held the first retrospective exhibition of David’s work since his death in January 2019.
David Shepherd stands as one of the most influential wildlife painters of the past century, an artist whose deep affinity for the natural world shaped a career of remarkable breadth and significance. His paintings, at once commanding and tender, reflect a lifelong bond with the animals of Africa, a connection forged in Kenya in 1960, where a commission for the RAF set him on an artistic path that would define his life’s work. It was there, confronted by the beauty of the wild and the brutality of its threats, that David’s vocation as both artist and conservationist took root.
The power of his paintings lies not only in their technical mastery: the confident sweep of his brush, careful orchestration of tone and balance between photorealism and impressionist breadth. Elephants emerge with monumental grace, tigers with a quiet, unstoppable presence; even the vast African landscapes serve not as backdrop but as a stage upon which each animal’s dignity is affirmed. What resonates most is the empathy that animates every canvas, a quality that reflects David’s unwavering belief in the value of the wildlife he devoted his career to protecting.
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Werke
David Shepherd British, 1931-2017
CheetahOil on Board20 x 25 cms / 7¾ x 9¾ inchesSigned 'David Shepherd' (lower right)
Sold as a set of five, alongside 'Buffalo', 'Rhino', 'Elephant' and 'Lion'£62,000 (Set of Five)Weitere Abbildungen
Description
Cheetah is shown in three-quarter profile, positioned low within dense scrub, its body partially obscured by foliage and grasses. The animal’s head turns towards the viewer, while the spotted coat is articulated against a ground of layered greens and pale ochres. The setting suggests East African bush, with no fixed horizon, creating a shallow spatial field in which vegetation presses forward. Painted during Shepherd’s sustained engagement with African wildlife in the later twentieth century, the work relates to repeated field studies made during conservation-linked travels. The subject reflects Shepherd’s long-standing focus on threatened species encountered directly during expeditions across Kenya and Tanzania.
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