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Overview
Gladwell Patterson have long championed David’s artistic and charitable work, across the three generations of the Fuller family. Together with the David Shepherd Wildlife Foundation, the gallery held the first retrospective exhibition of David’s work since his death in January 2019.
David Shepherd stands as one of the most influential wildlife painters of the past century, an artist whose deep affinity for the natural world shaped a career of remarkable breadth and significance. His paintings, at once commanding and tender, reflect a lifelong bond with the animals of Africa, a connection forged in Kenya in 1960, where a commission for the RAF set him on an artistic path that would define his life’s work. It was there, confronted by the beauty of the wild and the brutality of its threats, that David’s vocation as both artist and conservationist took root.
The power of his paintings lies not only in their technical mastery: the confident sweep of his brush, careful orchestration of tone and balance between photorealism and impressionist breadth. Elephants emerge with monumental grace, tigers with a quiet, unstoppable presence; even the vast African landscapes serve not as backdrop but as a stage upon which each animal’s dignity is affirmed. What resonates most is the empathy that animates every canvas, a quality that reflects David’s unwavering belief in the value of the wildlife he devoted his career to protecting.
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Werke
David Shepherd British, 1931-2017
Elephants of Samburu, 1964Oil on Canvas71 x 112 cms / 28 x 44 inchesSigned 'David Shepherd 1964' (lower left)
Original title 'Angry Elephants' inscribed on stretcher.Weitere Abbildungen
Description
As Shepherd’s favourite animal, elephants were the subject that the artist returned to most often for his wildlife pictures. Elephants of Samburu, is a powerful depiction of three adult African elephants set in the national reserve of Samburu in Kenya. Occupying the focal point of the work, the centrally depicted large bull elephant comes alive with the indication of movements such as the flapping of its ears, the waving of its trunk, and the stomping of its feet. This spectacle is a typical warning system used by elephants, who rely on their acute sense of smell to become aware of any possible danger. Facing directly towards us as the viewer, the bull’s gaze meets that of our own, which, when combined with the low viewpoint which the artist has adopted, works to visually describe the hair-raising experience of being faced with an agitated bull elephant in the wild; encounters which the artist was certainly familiar with, as pictured above. Employing his familiar optic technique, Shepherd has constructed his composition out of a multiple of sections that are each either in or out of focus, leading our attention towards the focal point which in turn renders the whole to appear as it would from life when seen through the human eye. The immediate foreground is rich in texture with thick impasto brushwork, a much desired and highly recognisable hallmark of Shepherd’s distinctive style.
Provenance
Private Collection, South Carolina, USA.
Gladwell & Patterson, London; acquired from the above in 2022.
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