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Overview
"I believe in the tradition of painting from life, in the open air, with the subject before you. There is no substitute for the living thing - the movement of a horse, the colour of the landscape, the changing light" - Sir Alfred Munnings.
Sir Alfred James Munnings is widely regarded as the foremost equestrian artist of the twentieth century, celebrated for his dynamic hunting and racing scenes and his evocative depictions of the English countryside. Born in Mendham, Suffolk, he grew up surrounded by horses, a formative influence that shaped his lifelong subject matter. After training as a lithographic apprentice and studying at the Norwich School of Art, he travelled to Paris where he encountered en plein air painting. Despite losing the sight in one eye in 1898, he continued to paint with remarkable speed and confidence, exhibiting at the Royal Academy from 1899 and later becoming associated with the Newlyn School in Cornwall.
The First World War marked a pivotal moment in his career, when he served as an official war artist with the Canadian Expeditionary Force, producing important equestrian works that contributed to his election to the Royal Academy in 1919. He was later elected President of the Royal Academy from 1944 to 1949 and received a knighthood in 1944. Renowned for painting outdoors in natural light, Munnings developed a bold, vigorous technique influenced by Impressionism while remaining firmly committed to traditional figurative painting. His work entered major public and private collections during his lifetime, and following his death in 1959 his home in Dedham was preserved as a museum dedicated to his legacy.
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Works
Sir Alfred James Munnings British, 1878-1959
A Huntsman and Hounds, 1906Oil on Canvas40 x 50 cms / 15¾ x 19¾ inchesSigned 'Munnings' (lower left)
Dated 1906Price on ApplicationDescription
Huntsman and Hounds was painted in 1906, when Munnings was 28, and depicts a huntsman surrounded by his scampering, eager dogs as they travel down a path in the Norfolk countryside. At the time, Munnings was living and working in Swainsthorpe, five miles south of Norwich, where he had persuaded his aunt Polly Hills to rent part of her home, Church Farm, for the princely sum of £10 per annum. Munnings built a studio in the grounds and acquired a small band of ponies, horses and donkeys to serve as models for his works. A Huntsman and his Hounds is one of only a handful of known works depicting the horse and rider ‘head on’ in Munnings oeuvre.
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