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Overview
Gladwell & Company held the first one-man exhibition of Bouvard's work in Britain in 1928 at 68 Queen Victoria Street, where Queen Mary acquired two paintings. Herbert Fuller continued purchasing works until Bouvard's death in 1956, a tradition the Fuller family has maintained ever since.
Auguste Bouvard was born at St. Etienne in France. His early artistic education was undertaken at the Ecole des Beaux-Arts in Paris, where he spent three years under a scholarship. His birth name was Eloi Noel Beraud although he signed his paintings Bouvard, Marc Aldine and Pelletier, amongst other pseudonyms but it is by Bouvard that he is best known.
During the early part of his career Bouvard painted a variety of French subjects under several pseudonyms in order to satisfy the demand for his work, but always maintained the same easy flowing brush and palette knife strokes. Study trips followed throughout Europe, where he began to paint the landscapes of Southern Europe and the Mediterranean coastline. His delicately coloured, rural scenes of southern France, usually signed with the pseudonym Pelletier, were imbued with a diffusion of warm light, reflected off rustic farm buildings beside quaint waterways running through tranquil villages.
The majority of Bouvard’s output went through a dealer in Paris who recommended that he consider Venice as a subject. From that point, his career never looked back. Celebrated for his captivating views of the Venetian canals, Bouvard possessed an undeniable talent for utilising light and atmospheric effects to portray the grandeur of the legendary city. Whilst Bouvard’s subject matter is similar to Canaletto and Guardi, he differs from these great artists by his use of a free impressionist technique, with the introduction of vivid colour and warmth. Under a golden sun and turquoise-blue sky, Bouvard's Venice glistens with unmistakable majesty as he deftly documents its architectural gems and romantic atmosphere.
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Works for sale
Auguste Bouvard French, 1875-1956
St Mark's Square, VeniceOil on Canvas49.5 x 65 cms / 19½ x 25½ inchesSigned 'Bouvard' (lower right)Description
St Mark's Square, Venice shows the Piazzetta at the water's edge, looking across the mouth of the Grand Canal in the warm light of early evening. The granite column of St Mark rises at the centre, the winged lion dark against a pale gold sky, with the arcaded front of the Marciana Library at the right and pigeons gathered on the paving below. Figures cross the square in ones and twos, a woman in a pale coat leading a child in red, and beyond them a three-masted sailing ship lies moored at the quay. Across the water the domes of Santa Maria della Salute close the view, painted in soft blues and creams where the city meets the evening haze.
Venice was Auguste Bouvard's lifelong subject. Trained in architecture before he turned to painting, he brought an architect's understanding to the city's buildings, and it shows here in the drawing of the Library and the column, precise without stiffness, and in the way the paving and mooring posts carry the eye into depth. He painted the city's canals and monuments through every light, and views of the Piazzetta with the Salute beyond stand among his most sought after compositions. This is Venice as the Grand Tour promised it: the lion, the water and the light.
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