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Overview
Claude Monet was so taken with Barbier's works that he sponsored an exhibition of his works with a preface by Monet's biographer and friend, Gustave Geffroy, who urged him to "build of mist and light, a world of poetry"
André Barbier (1883-1970) was born in Arras, France into a family of lawyers. At the age of twenty, Barbier settled in Paris at the Quai aux Fleurs, and in the same year, 1903, he began exhibiting landscapes and still lifes at the Paris Salons. Inspired by his Impressionist forbears, Gustave Courbet, Claude Monet and Camille Corot, Barbier delighted in depicting verdant forests and luminous seascapes at different times of the day and in a variety of atmospheric conditions. Like many of his contemporaries in early nineteenth-century Paris, Barbier travelled extensively in pursuit of subjects for his landscapes. Barbier chose to capture scenes of the Normandy coast and the French Riviera and also travelled further afield to Italy.
Although a follower of the Impressionists, Barbier’s style is wholeheartedly distinct. Barbier built up compositions using delicate layers of paint in a post-impressionist manner, often using a flickering outline to the forms within the landscape and imbuing his compositions with a delicate haze of light. Due to his wealth, much of Barbier's work has remained with his family, but today his paintings are collected extensively in America and Europe and have recently been bought by members of the Monaco and Belgian Royal families.
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Works
André Barbier French, 1883-1970
Port d'HonfleurOil on Canvas50 x 61 cms / 19¾ x 24 inchesSigned 'André Barbier' (lower left)Further images
Description
A broad expanse of water occupies the foreground, rendered in pale greens and blues that dissolve into one another beneath a high, luminous sky. To the left, a low quay lined with trees forms a horizontal band of fresh green, against which several small sailing boats are moored, their masts rising vertically and their cream sails catching light. To the right, across the harbour entrance, a slender lighthouse and pier appear in softened silhouette, partially absorbed by atmospheric haze. The viewpoint is set at water level, looking across the harbour mouth so that the open channel leads the eye into depth. Paint is applied in thin, layered strokes, with more defined touches articulating the boats and shoreline. Painted during the artist’s engagement with the Normandy coast, Port d’Honfleur belongs to a sustained exploration of harbour subjects observed under varying light and tidal conditions.
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