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Overview
Claude Monet was so taken with Barbier's works that he sponsored an exhibition of his works with a preface by Monet's biographer and friend, Gustave Geffroy, who urged him to "build of mist and light, a world of poetry"
André Barbier (1883-1970) was born in Arras, France into a family of lawyers. At the age of twenty, Barbier settled in Paris at the Quai aux Fleurs, and in the same year, 1903, he began exhibiting landscapes and still lifes at the Paris Salons. Inspired by his Impressionist forbears, Gustave Courbet, Claude Monet and Camille Corot, Barbier delighted in depicting verdant forests and luminous seascapes at different times of the day and in a variety of atmospheric conditions. Like many of his contemporaries in early nineteenth-century Paris, Barbier travelled extensively in pursuit of subjects for his landscapes. Barbier chose to capture scenes of the Normandy coast and the French Riviera and also travelled further afield to Italy.
Although a follower of the Impressionists, Barbier’s style is wholeheartedly distinct. Barbier built up compositions using delicate layers of paint in a post-impressionist manner, often using a flickering outline to the forms within the landscape and imbuing his compositions with a delicate haze of light. Due to his wealth, much of Barbier's work has remained with his family, but today his paintings are collected extensively in America and Europe and have recently been bought by members of the Monaco and Belgian Royal families.
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Works
André Barbier French, 1883-1970
Les Andelys, 1911Oil on Canvas60 x 73 cms / 23½ x 28¾ inchesSigned 'André Barbier' (lower right)Further images
Description
From an elevated vantage point, the Seine curves through a broad valley, its pale surface receding into a softly defined horizon. On the right, steep, chalky slopes descend towards the river, dotted with vegetation and scattered buildings that mark the town of Les Andelys. The outline of Château Gaillard is faintly discernible on the hill above, reduced to a muted silhouette against the sky. The left bank forms a darker, wooded mass, creating a wide channel of water between the opposing slopes. The composition is structured in sweeping horizontal bands of land and river, unified by closely related tones of blue and green. Oil is applied in thin, lightly worked layers, with broken touches describing foliage in the foreground. Painted in 1911 during the artist’s engagement with the Normandy landscape, Les Andelys reflects a sustained interest in elevated river views and the historic sites along the Seine.
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