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Overview
“There is more to art than simply trying to compose an image. The actual process of creating an image is just as important as its outcome and the ability to observe the world in a unique manner, may introduce greater sensitivity and maturity to the work"
Aris Raissis was born in Cairo in 1962. He studied at The Chelsea School of Fine Art followed by the Byam Shaw School of Art, graduating in 1985. During his years at Art College Aris developed a focus on figurative painting, portraiture and still life subjects, which continues to inspire his work today. Referencing artists such as Van Dyke and Rembrandt, Aris’s consistent aim is to apply the techniques of the Old Masters, whilst addressing contemporary subject matter.
Aris’ creative ethos is underlined by his belief that a work of art should be constructed in a way that will allow it to physically stand the test of time. Through his delicate handling of the medium and his use of traditional old master techniques, his work upholds the highest level of quality and sensitivity. Working in oil paint, charcoal and pastels, Aris’ work as a whole is underpinned by a continuing fascination for expressionism and realism, as ever evident in his sensitive portrait interpretations.
Aris’s work has been exhibited in numerous prestigious contexts, including at The Royal Society of Portrait Painters in 1986. Aris was selected as one of the nine members of The British Federation of the Old Masters’ Society in 1994. This success was followed by a number of high profile portrait commissions which include a portrait of HRH Crown Prince Alexander of Yugoslavia in 1995. In 2010 Aris became the Artist in Residence at the Leighton House Museum. More recently, Aris was commissioned to paint a portrait of the philosopher Professor William Emanuel Abraham for All Souls College at the University of Oxford in 2018.
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Works for sale
Aris Raissis
The CossackOil on Panel19 x 14.5 cms / 7½ x 5¾ inchesSigned 'Aris R 26' (lower right)Description
The Cossack by Aris Raissis is a profile portrait of a bearded young man facing to the left, set against a pale grey ground. He wears a tall fur hat with a red cloth crown showing at the top, and a heavy coat with a deep fur collar that rises around his neck and shoulders. The light falls from the front onto the cheekbone, brow and bridge of the nose, leaving the jaw, the fur and the dark coat in shadow. Raissis paints the skin in smooth, closely worked oil, then switches to broken, directional strokes for the hat and collar, dragging the brush so that individual hairs of the fur catch the light against the muted background. The subject draws on the dress of the Cossacks, the horsemen and frontier communities of the steppe lands of present-day Ukraine and southern Russia, whose traditional costume includes the tall sheepskin or astrakhan hat - the red-topped form is associated with the Kuban and Don Cossacks - worn with a fur-lined coat against the cold.
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