-
In Fraser’s later years, he received many private and public commissions and took part in frequent gallery exhibitions throughout Britain. W.H. Patterson held a two-man exhibition in our Mayfair gallery in March 2000, in which every picture was sold within the first two days
Donald Hamilton Fraser is a highly acclaimed British painter. Fraser dramatised his subjects with bold colours and a confident brush. His work employs a language of visual metaphor in which abstract and descriptive elements combine to express a heightened experience of the subject. His vibrant landscapes and bold still lifes were highly acclaimed during his lifetime and his work was widely exhibited in London, Paris and New York.
Inspired by the Scottish Highlands of his ancestors, Donald Hamilton Fraser depicted this rugged landscape like no other artist. Captured in all its myriad guises, according to the fleeting effects of light and atmosphere, Fraser transformed the Highland landscape into vivid swathes of colour. Fraser was a master at capturing an array of subjects, from the natural landscape to vibrant still lives. He adored the expressive nature of paint and the striking juxtaposition of primary colours, often layering them onto the canvas with a palette knife to produce an almost collage-like effect. Under his deft brush, the tradition of still life painting is distorted to form abstract almost dream-like fields of colour.
Fraser studied at the prestigious St. Martin's School of Art from 1949 to 1952 alongside notable contemporaries including Jack Smith, Leon Kossoff, Frank Auerbach and his close friend Peter Kinley. For many young artists in the early 1950s, they felt a need to become either an abstract or a figurative artist. Fraser did not feel these had to be mutually exclusive, and an exhibition of the work of Nicolas de Staël at Matthiesson's on Bond Street in 1952 acted as catalyst to reconcile these two styles within his work.
-
Works for sale
Donald Hamilton Fraser British, 1929-2009
Study Ariège - No. 2Oil on Paper24 x 18 cms / 9½ x 7 inchesSigned 'Fraser' (lower right)Description
In Study Ariège – No. 2, Donald Hamilton Fraser transforms the rugged landscape of Ariège in the French Pyrenees into a striking arrangement of colour, texture and form. Beneath an expansive blue sky, distant violet mountains give way to a landscape built from brilliant passages of cobalt, turquoise, yellow and white, punctuated by bold sweeps of black. Fraser reduces the terrain to its essential forms, allowing colour and gesture to convey the character of the place rather than describing it with strict topographical detail. This approach lies at the heart of Fraser’s celebrated landscapes. He described his works as semi-abstract pictures based on landscape, frequently building their surfaces with richly applied paint and a palette knife to create an almost collage-like interplay of forms. His relationship with France was particularly important: after studying at St Martin’s, Fraser received a French Government Scholarship in 1953 and spent time in Paris, where his engagement with modern French painting helped shape his distinctive visual language. The mountainous Ariège region provided an especially natural subject for this approach. Fraser returned repeatedly to the landscapes of the Pyrenees; documented works include Church in the Pyrenees from 1996 and Study – Quillan, Pyrenees from 1997. In Study Ariège – No. 2, the landscape remains recognisable, yet Fraser’s heightened palette and vigorous handling turn it into something more immediate: an impression of the Pyrenees experienced through colour.Contact FormSend me more information on Donald Hamilton Fraser