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Overview
"When I’m setting the paintings up I’m imagining the pride that a person feels when opening their bottle. That’s how I know it’s a good picture, when I’m understanding it and feeling the same kind of pride in telling that story" - Paul S. Brown.
Born in North Carolina in 1967, Paul S. Brown is one of the leading contemporary exponents of Classical Realism, an artist whose practice is rooted in the discipline, craftsmanship and close observation of the Old Masters. His exceptional ability as a draughtsman emerged early, and at just ten years old he began studying in the studio of Classical Realist painter D. Jeffrey Mims, later developing his skills through an extensive apprenticeship on large-scale mural projects while at university. In 1988, Brown travelled to Florence, where he trained for two years at Studio Cecil-Graves under Charles Cecil and Daniel Graves, immersing himself in the rigorous traditions of European academic painting. Following a period travelling across Europe to study its great collections first-hand, he returned to Florence to help Daniel Graves establish the Florence Academy of Art, now internationally renowned for preserving the principles of traditional drawing and painting, and remained there as a teacher for a further two years. Brown has since forged a distinctive career founded on an uncompromising dedication to craftsmanship. Working entirely from life, he prepares his own paints by hand, carefully selecting pigments and oils, and paints on linen using techniques grounded in centuries of artistic tradition. He describes this deliberate approach as 'Slow Art', a philosophy that rejects immediacy in favour of patience, observation and the gradual building of a painting. The result is work of remarkable depth and quiet intensity, bringing the technical mastery of the Old Masters into a distinctly contemporary practice.
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Works for sale
Paul S. Brown
The Dinosaur EggOil on Panel54 x 56 cms / 21 x 22 inchesSigned 'P Brown' (lower right)
Dated 'MMXI' (lower left)Description
The Dinosaur Egg presents a fossilised egg placed centrally upon a narrow white ledge, its broken shell revealing a pale interior surface. Around it a sequence of smaller eggs is arranged in a measured line, their surfaces ranging from pale cream and mottled brown to soft blue-green tones, suggesting a variety of species. Light falls from the left, creating soft shadows that articulate the rounded forms and the fractured edge of the fossilised shell. Paul S. Brown frequently constructs still life compositions that explore natural forms drawn from the wider world of collecting and observation. Alongside food, glass and domestic objects, fossils and eggs appear in his work as examples of natural structure and surface. Their varied markings, mineralised textures and subtle colour shifts provide the artist with subjects through which to examine tone, scale and balance within a carefully ordered arrangement painted directly from life.
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