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Overview
"When I’m setting the paintings up I’m imagining the pride that a person feels when opening their bottle. That’s how I know it’s a good picture, when I’m understanding it and feeling the same kind of pride in telling that story"
Paul S. Brown was born in 1967 and raised in North Carolina. Paul’s immeasurable talent for drawing was evident from a young age. At the age of ten he received drawing lessons in the studio of the leading Classical Realist D. Jeffrey Mims and whilst at university had an extensive apprenticeship on several large mural projects.
In 1988 Paul travelled to Florence in Italy and continued his artistic training at the Studio Cecil-Graves in Florence for the next two years under the tutelage of Charles Cecil and Daniel Graves. After a period of travelling around Europe, visiting the continent’s most notable art collections and studying their art, Paul returned to Florence to help Daniel Graves open the Florence Academy of Art, an art teaching institution renowned for its commitment to the academic tradition. Paul remained in Florence for a subsequent two years, teaching at the Florence Academy of Art. Paul is one of the Academy’s greatest legacies to the world of Classical Realism.
A true Classical Realist, Paul upholds rigorous standards and holds firm to principles of artistic integrity, emulating the techniques and materials of the Old Masters. In a process he calls ‘Slow Art’ – referencing the Slow Food movement – he works from life in the naturalist tradition, paints on linen canvas and prepares his own paints by hand, carefully selecting pigments and oils to his precise requirements.
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Works
Paul S. Brown
The Dinosaur EggOil on Panel54 x 56 cms / 21 x 22 inchesSigned 'P Brown' (lower right)
Dated 'MMXI' (lower left)Description
The Dinosaur Egg presents a fossilised egg placed centrally upon a narrow white ledge, its broken shell revealing a pale interior surface. Around it a sequence of smaller eggs is arranged in a measured line, their surfaces ranging from pale cream and mottled brown to soft blue-green tones, suggesting a variety of species. Light falls from the left, creating soft shadows that articulate the rounded forms and the fractured edge of the fossilised shell. Paul S. Brown frequently constructs still life compositions that explore natural forms drawn from the wider world of collecting and observation. Alongside food, glass and domestic objects, fossils and eggs appear in his work as examples of natural structure and surface. Their varied markings, mineralised textures and subtle colour shifts provide the artist with subjects through which to examine tone, scale and balance within a carefully ordered arrangement painted directly from life.
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