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Overview
"When I’m setting the paintings up I’m imagining the pride that a person feels when opening their bottle. That’s how I know it’s a good picture, when I’m understanding it and feeling the same kind of pride in telling that story"
Paul S. Brown was born in 1967 and raised in North Carolina. Paul’s immeasurable talent for drawing was evident from a young age. At the age of ten he received drawing lessons in the studio of the leading Classical Realist D. Jeffrey Mims and whilst at university had an extensive apprenticeship on several large mural projects.
In 1988 Paul travelled to Florence in Italy and continued his artistic training at the Studio Cecil-Graves in Florence for the next two years under the tutelage of Charles Cecil and Daniel Graves. After a period of travelling around Europe, visiting the continent’s most notable art collections and studying their art, Paul returned to Florence to help Daniel Graves open the Florence Academy of Art, an art teaching institution renowned for its commitment to the academic tradition. Paul remained in Florence for a subsequent two years, teaching at the Florence Academy of Art. Paul is one of the Academy’s greatest legacies to the world of Classical Realism.
A true Classical Realist, Paul upholds rigorous standards and holds firm to principles of artistic integrity, emulating the techniques and materials of the Old Masters. In a process he calls ‘Slow Art’ – referencing the Slow Food movement – he works from life in the naturalist tradition, paints on linen canvas and prepares his own paints by hand, carefully selecting pigments and oils to his precise requirements.
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Works
Paul S. Brown
Noble VoluteOil on Canvasboard20 x 20 cms / 7¾ x 7¾ inchesSigned 'P Brown' (lower right)
Dated 'MMXXV' (lower left)Further images
Description
Noble Volute is a poised study, its very name drawn from the elegant spiral form of this marine shell—volute from the Latin for “scroll,” and noble for its particularly striking beauty. Set against a pale cream ground, the shell rises with sculptural grace, its form catching the light as though lit softly from within. A warm orange glows, lending the piece a lantern-like warmth. Across the crown, gentle browns settle into the ridges, giving weight and texture to its sweeping curves. Along its outer edges, whispers of grey and lilac drift into view, subtle as sea-mist, softening the shell’s grandeur without diminishing it.
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