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Overview
"When I’m setting the paintings up I’m imagining the pride that a person feels when opening their bottle. That’s how I know it’s a good picture, when I’m understanding it and feeling the same kind of pride in telling that story"
Paul S. Brown was born in 1967 and raised in North Carolina. Paul’s immeasurable talent for drawing was evident from a young age. At the age of ten he received drawing lessons in the studio of the leading Classical Realist D. Jeffrey Mims and whilst at university had an extensive apprenticeship on several large mural projects.
In 1988 Paul travelled to Florence in Italy and continued his artistic training at the Studio Cecil-Graves in Florence for the next two years under the tutelage of Charles Cecil and Daniel Graves. After a period of travelling around Europe, visiting the continent’s most notable art collections and studying their art, Paul returned to Florence to help Daniel Graves open the Florence Academy of Art, an art teaching institution renowned for its commitment to the academic tradition. Paul remained in Florence for a subsequent two years, teaching at the Florence Academy of Art. Paul is one of the Academy’s greatest legacies to the world of Classical Realism.
A true Classical Realist, Paul upholds rigorous standards and holds firm to principles of artistic integrity, emulating the techniques and materials of the Old Masters. In a process he calls ‘Slow Art’ – referencing the Slow Food movement – he works from life in the naturalist tradition, paints on linen canvas and prepares his own paints by hand, carefully selecting pigments and oils to his precise requirements.
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Works for sale
Paul S. Brown
Capsicum, 2025Oil on Canvasboard19 x 59 cms / 7½ x 23¼ inchesSigned ' P Brown' (lower right)
Dated 'MMXXV' (lower left)Further images
Description
Capsicum by Paul S. Brown is a vivid tribute to colour in all its natural exuberance. Peppers in cherry red, green, yellow and deep violet are strewn across a tabletop, as though just tipped from a market basket. The arrangement feels spontaneous yet assured, each form angled to catch the soft fall of light and to let its neighbour’s colour sing a little brighter. Brown’s classical discipline lies in the structure beneath the seeming scatter; shadows anchoring the composition, glints of light heightening each smooth, taut skin.1of 28Contact FormSend me more information on Paul S. Brown