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Overview
Gladwell Patterson have long championed David’s artistic and charitable work, across the three generations of the Fuller family. Together with the David Shepherd Wildlife Foundation, the gallery held the first retrospective exhibition of David’s work since his death in January 2019.
David Shepherd stands as one of the most influential wildlife painters of the past century, an artist whose deep affinity for the natural world shaped a career of remarkable breadth and significance. His paintings, at once commanding and tender, reflect a lifelong bond with the animals of Africa, a connection forged in Kenya in 1960, where a commission for the RAF set him on an artistic path that would define his life’s work. It was there, confronted by the beauty of the wild and the brutality of its threats, that David’s vocation as both artist and conservationist took root.
The power of his paintings lies not only in their technical mastery: the confident sweep of his brush, careful orchestration of tone and balance between photorealism and impressionist breadth. Elephants emerge with monumental grace, tigers with a quiet, unstoppable presence; even the vast African landscapes serve not as backdrop but as a stage upon which each animal’s dignity is affirmed. What resonates most is the empathy that animates every canvas, a quality that reflects David’s unwavering belief in the value of the wildlife he devoted his career to protecting.
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Works for sale
David Shepherd British, 1931-2017
The Watch, c. 1990Oil on Canvas30.5 x 51 cms / 12 x 20 inchesSigned 'David Shepherd' (lower right)Further images
Description
Cheetahs were David Shepherd’s favourite of all cats. What he loved most about them was their ‘regal air’, a combination of their sleek physique, unparalleled grace, and the striking pattern of their fur. In his 1990 work, The Watch, Shepherd captures a very rare and intimate sighting: a group of cheetahs together with a cub. With his distinct artistic approach, in this work Shepherd invites viewers to share in his admiration for the regal cheetah. Working in his study format familiar to his preliminary sketches, here Shepherd has developed this composition onto canvas, making for a work which displays the multiple facets of each of his subjects. At the same time, the viewer is offered a rare insight into the artist at work by eroding the boundaries between preparation and finished article.
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